Yasgur Farms Dairy
Description: Yasgur Farms Milk Cartons
Most likely manufactured in the mid 1960's these milk cartons are in amazingly good shape and are extremely rare.
The quart container is more faded on one side while the half pint box seems quite vivid all around.
Acquired from two different sources with flip tops intact.
Most likely manufactured in the mid 1960's these milk cartons are in amazingly good shape and are extremely rare.
The quart container is more faded on one side while the half pint box seems quite vivid all around.
Acquired from two different sources with flip tops intact.
Description: Yasgur Farms Bottles, Crates and Delivery Boxes
Glass quart bottles and two very rare half pint bottles, plus two branded wood and metal framed crates with wire grids designed to hold and safely transport 12 quart glass bottles each. Metal boxes were used at homes when milk was delivered.
Glass quart bottles and two very rare half pint bottles, plus two branded wood and metal framed crates with wire grids designed to hold and safely transport 12 quart glass bottles each. Metal boxes were used at homes when milk was delivered.
Description: Two framed Max Yasgur signed checks
The 1969 Woodstock Festival would have never taken place if Michael Lang had not met Max Yasgur. Their agreement required no agents or representatives. As they stood in the field Max pulled out a pencil to figure his losses of crops and milk and one month's rental for the acreage they needed. With a handshake they closed a land lease deal. Through the following weeks he never wavered in his support and fought for the legal rights of the partners to hold their music and art fair.
Both displays include an original watercolor of a Yasgur barn as it stood in 2008, by registered hudson valley artist Miriam Schulman.
Both are framed in wood salvaged from the festival site.
The 1969 Woodstock Festival would have never taken place if Michael Lang had not met Max Yasgur. Their agreement required no agents or representatives. As they stood in the field Max pulled out a pencil to figure his losses of crops and milk and one month's rental for the acreage they needed. With a handshake they closed a land lease deal. Through the following weeks he never wavered in his support and fought for the legal rights of the partners to hold their music and art fair.
Both displays include an original watercolor of a Yasgur barn as it stood in 2008, by registered hudson valley artist Miriam Schulman.
Both are framed in wood salvaged from the festival site.
